The Imitation Game
          By 
             Jim Castagnera
            Special to The History Place
            1/12/15
          Benedict Cumberbatch is quickly becoming my  favorite actor.  I first encountered him  as a young, modern-day Sherlock Holmes in a television series.  He popped up again as George Smiley’s  right-hand-man in 2011’s  Tinker Tailor Soldier Spy.  He achieves star status as Alan Turing in The Imitation Game.
          Turing was at once a genuine World War II hero,  one of the true parents of the computer, and a profoundly tragic figure.  Turing and his team at Bletchley Park broke  the Nazis’ Enigma code, a feat that – perhaps as much as Churchill’s iron  resolve – saw a beleaguered Britain through the war.  Keira Knightly brings a touch of glamour to  the Turing team.  Also notable in the  film’s cast is Allen Leech, best known to us as the Irish in-law who runs the Downton Abbey estate.
          
          The Enigma story has been told  many, many times.  Notably, the Robert  Harris novel Enigma became a film of  the same name in 2001.  Rolling Stone Mick  Jagger, himself arguably an enigma, co-produced and helped fund that film.  He even reportedly provided his own personal  Enigma machine.  The story was loosely  based on an actual event, the sudden change of the German U-boat codebooks just  when the U.S. had multiple convoys of supplies in the North Atlantic en route  to England.
          Alan Turning and Bletchley figure  big in Neal Stephenson’s 2000 novel Cryptonomicon. In that ambitious fictional account, Turing comes across as a clever,  easygoing, carefree wizard.  In fact he  was anything but carefree or easy going, as Cumberbatch’s far more realistic  portrayal reveals.
          The film focuses, as expected, on  the cracking of the Enigma code.  But it  shifts back and forth across Turing’s brief 41 years, portraying his childhood  in an English public school and the post-war years in which he’s convicted of  “indecency.”  From Victorian times,  England outlawed male homosexuality.  (The  story has it that Queen Victoria had no idea that women could be gay and none of  her ministers were so indelicate as to tell her so.  Consequently, the law outlawing same-sex  relationships applied only to men.)
          The Keira Knightly character, Joan  Clarke, who helps Turing work out the solution to breaking Enigma, was real  enough.  And, indeed, she and Turing were  extremely close, so much so that he proposed marriage.  Turing subsequently revealed his sexual  orientation to her, a revelation that left her unphased.  Nonetheless, he declined to go through with  the marriage.
          The film does a nice job of  depicting the moral dilemma that breaking the code presented.  The Allies were unable to fully exploit the  intelligence gleaned from their breakthrough without tipping the Germans off to  their success.  Consequently, they were  forced to decide which intelligence would be exploited and which ignored, even  though this meant condemning some soldiers, sailors and airmen to their  deaths.  
          All the same, the movie’s  postscript informs us that historians credit Bletchley with shortening the war  by two years, saving an estimated 14 million lives.
          For Turing, the post-war years were  few and tragic.  Homosexuality remained a  crime.  His sexual preference revealed by  a young liaison, he was convicted and given a choice: jail or hormone  therapy.  He chose the latter with  catastrophic results.  In the film he’s  shown shaking and unable to focus on his work.   In reality, he was not only chemically “castrated,” but also grew  breasts.  A year into the court-ordered  “therapy” he killed himself.
          His scientific legacy is equal to  his wartime contributions.  Computers  were called Turing Machines for years, and with good reason.  The film’s title is derived from what is also  known as the Turing Test:  If a judge in  one room, communicating with a sentient being in another, cannot discern  whether he is talking to another human or to a machine, then, if it’s a  machine, that machine is indeed an artificial intelligence.
          In the closing scene, Joan visits Alan  during the throws of his hormonal treatment.   He observes her wedding ring and comments that she has achieved a  “normal life.”  She asks him would he  really have wanted to be normal, if it meant giving up his achievements.  He hesitates and she replies that she would  not have wanted that for him, or for the world.   I can only agree.
          The postscript also informs us that  in 2013 Queen Elizabeth granted him a pardon in recognition of his incalculable  contributions.  That hardly seems  sufficient.
          As for Cumberbatch, I smell an Oscar  on the wind.
          Rated PG-13 for some sexual references, mature thematic material and historical smoking.
            Oscar® is a registered trademark of The Academy of Motion Picture Arts and Sciences. 
          
          
          Dr. Jim Castagnera is a Philadelphia lawyer, consultant and  writer, whose webpage is https://jamescastagnera.wordpress.com/.   His most recent book is Handbook  for Student Law for Higher Education Administrators (Revised Edition 2014).